"Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando" by Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France was released on September 7, 2018. Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Saint-Saëns: Piano Concertos Nos 2, 5 & Piano Works". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando by Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
3 Études de Concert, S. 144: No. 3 in D-Flat Major "Un sospiro" | Franz Liszt, Daniil Trifonov | D♭ Major | 1 | 3B | 76 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 2. Andante | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | G Major | 0 | 9B | 107 BPM | ||
6 Impromptus, Op. 5: Impromptu VI | Jean Sibelius, Leif Ove Andsnes | E Major | 0 | 12B | 62 BPM | ||
Lied opus 34 no.4, transcription Franz Liszt: Suleika | Felix Mendelssohn, Bertrand Chamayou | E Minor | 1 | 9A | 142 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: II. Allegretto con moto | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | B♭ Major | 0 | 6B | 109 BPM | ||
Tambourin chinois, Op. 3 (Arr. for Violin and Orchestra by McAlister) | Fritz Kreisler, Maxim Vengerov, Shanghai Symphony Orchestra, Long Yu | G Minor | 1 | 6A | 157 BPM | ||
Chanson triste, Op. 40: No. 2 | Pyotr Ilyich Tchaikovsky, Sviatoslav Richter | G Minor | 0 | 6A | 101 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 11: Warum willst du andre fragen | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | A♭ Major | 0 | 4B | 71 BPM | ||
Song Without Words In C Minor No.2 Opus 38, Book III | Felix Mendelssohn, Bertrand Chamayou | A♭ Major | 1 | 4B | 80 BPM |
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