"Jazz Suite No. 2: 4. Waltz I" by Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly was released on January 1, 1992. The duration of Jazz Suite No. 2: 4. Waltz I is about 3 minutes long, at 3:18. Based on our data, "Jazz Suite No. 2: 4. Waltz I" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Shostakovich: The Jazz Album". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The popularity of Jazz Suite No. 2: 4. Waltz I is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Jazz Suite No. 2: 4. Waltz I by Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly having a BPM of 178 with a half-time of 89 BPM and a double-time of 356 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Raymonda, Act III: Variation 4 | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Minor | 1 | 7A | 103 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Chanson de Matin, Op.15, No.2 | Edward Elgar, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd | G Major | 1 | 9B | 89 BPM | ||
Violin Concerto in E Minor, Op. 64, MWV O 14: 1. Allegro molto appassionato | Felix Mendelssohn, Kyung Wha Chung, Orchestre Symphonique de Montréal, Charles Dutoit | E Minor | 1 | 9A | 101 BPM | ||
The Gadfly, Op97: 3. Youth (Romance) | Dmitri Shostakovich, Nicola Benedetti, Bournemouth Symphony Orchestra, Kirill Karabits | C Major | 1 | 8B | 138 BPM | ||
Le Carnaval des Animaux, R. 125: VII. Aquarium | Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest | A Minor | 0 | 8A | 124 BPM | ||
Consolation No. 3 in D-Flat Major, S. 172/3 | Franz Liszt, Vladimir Horowitz | D♭ Major | 0 | 3B | 70 BPM | ||
Strauss II, J: An der schönen blauen Donau, Op. 314 | Johann Strauss II, Concertgebouworkest, Nikolaus Harnoncourt | D Major | 2 | 10B | 67 BPM | ||
Le Carnaval des Animaux, R. 125: XIII. Le Cygne | Camille Saint-Saëns, Lucas Jussen, Arthur Jussen, Concertgebouworkest | G Major | 0 | 9B | 86 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM |
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