Liebesbotschaft, S. 560/10 from Schwanengesang
Franz Liszt, Arcadi Volodos
Piano Transcriptions
2:51 April 9, 1997
BPM
62
Key
G Major
Camelot
9B

Embed

Share Link

Liebesbotschaft, S. 560/10 from Schwanengesang - Franz Liszt, Arcadi Volodos Information

Acousticness
100%
Danceability
27%
Energy
1%
Instrumentalness
93%
Liveness
13%
Loudness
43%
Speechiness
3%
Valence
17%
Popularity
Loudness
-34.091 dB

Summary

"Liebesbotschaft, S. 560/10 from Schwanengesang" by Franz Liszt, Arcadi Volodos was released on April 9, 1997. The duration of Liebesbotschaft, S. 560/10 from Schwanengesang is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Liebesbotschaft, S. 560/10 from Schwanengesang's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Piano Transcriptions". In this album, this song's track order is #7. Liebesbotschaft, S. 560/10 from Schwanengesang is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Liebesbotschaft, S. 560/10 from Schwanengesang BPM

With Liebesbotschaft, S. 560/10 from Schwanengesang by Franz Liszt, Arcadi Volodos having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Liebesbotschaft, S. 560/10 from Schwanengesang Key

G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Waldszenen, Op. 82: IV. Verrufene Stelle by Robert Schumann, Arcadi VolodosWaldszenen, Op. 82: IV. Verrufene StelleRobert Schumann, Arcadi VolodosG Minor06A91 BPM
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 by Carl Maria von Weber, Michael Endres7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2Carl Maria von Weber, Michael EndresC Major18B95 BPM
Musica callada XXV by Federico Mompou, Arcadi VolodosMusica callada XXVFederico Mompou, Arcadi VolodosA♭ Minor01A125 BPM
Waldszenen, Op. 82: No. 7 Vogel als Prophet by Robert Schumann, Wilhelm KempffWaldszenen, Op. 82: No. 7 Vogel als ProphetRobert Schumann, Wilhelm KempffE Major012B120 BPM
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit by Clara Schumann, Anneleen Lenaerts, Dionysis GrammenosSchumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um SchönheitClara Schumann, Anneleen Lenaerts, Dionysis GrammenosD♭ Major03B91 BPM
Scherzo No. 1 in B Minor, Op. 20 by Frédéric Chopin, Benjamin GrosvenorScherzo No. 1 in B Minor, Op. 20Frédéric Chopin, Benjamin GrosvenorB Minor110A66 BPM
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 by Franz Liszt, William WolframWagner - Tannhäuser: Pilgrim's Chorus, S443/R276Franz Liszt, William WolframB♭ Major26B67 BPM
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles by Pyotr Ilyich Tchaikovsky, Valentina LisitsaSouvenir de Hapsal, Op. 2, TH 125: 3. Chant sans parolesPyotr Ilyich Tchaikovsky, Valentina LisitsaF Major07B100 BPM
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - by Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoPiano Concerto No. 1 in C Minor, Op. 35: III. Moderato -Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily PetrenkoA♭ Major14B149 BPM
Drei Intermezzi, Op. 117: II. Andante non troppo e con molto espressione by Johannes Brahms, Arcadi VolodosDrei Intermezzi, Op. 117: II. Andante non troppo e con molto espressioneJohannes Brahms, Arcadi VolodosD♭ Major03B65 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6041786670684814

End: 0.6084873676300049