"Liebesbotschaft, S. 560/10 from Schwanengesang" by Franz Liszt, Arcadi Volodos was released on April 9, 1997. The duration of Liebesbotschaft, S. 560/10 from Schwanengesang is about two minutes long, specifically at 2:51. This song does not appear to have any foul language. Liebesbotschaft, S. 560/10 from Schwanengesang's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Piano Transcriptions". In this album, this song's track order is #7. Liebesbotschaft, S. 560/10 from Schwanengesang is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Liebesbotschaft, S. 560/10 from Schwanengesang by Franz Liszt, Arcadi Volodos having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Waldszenen, Op. 82: IV. Verrufene Stelle | Robert Schumann, Arcadi Volodos | G Minor | 0 | 6A | 91 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 2 | Carl Maria von Weber, Michael Endres | C Major | 1 | 8B | 95 BPM | ||
Musica callada XXV | Federico Mompou, Arcadi Volodos | A♭ Minor | 0 | 1A | 125 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Schumann: 12 Gedichte aus Liebesfrühling, Op. 37: No. 4: Liebst du um Schönheit | Clara Schumann, Anneleen Lenaerts, Dionysis Grammenos | D♭ Major | 0 | 3B | 91 BPM | ||
Scherzo No. 1 in B Minor, Op. 20 | Frédéric Chopin, Benjamin Grosvenor | B Minor | 1 | 10A | 66 BPM | ||
Wagner - Tannhäuser: Pilgrim's Chorus, S443/R276 | Franz Liszt, William Wolfram | B♭ Major | 2 | 6B | 67 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Piano Concerto No. 1 in C Minor, Op. 35: III. Moderato - | Dmitri Shostakovich, Boris Giltburg, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | A♭ Major | 1 | 4B | 149 BPM | ||
Drei Intermezzi, Op. 117: II. Andante non troppo e con molto espressione | Johannes Brahms, Arcadi Volodos | D♭ Major | 0 | 3B | 65 BPM |
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