"Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles" by Pyotr Ilyich Tchaikovsky, Valentina Lisitsa was released on March 15, 2019. The duration of Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 224 in the song's album "Tchaikovsky: The Complete Solo Piano Works". In this album, this song's track order is #5. In terms of popularity, Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles by Pyotr Ilyich Tchaikovsky, Valentina Lisitsa having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: II. Rondo: Presto | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | A Major | 1 | 11B | 138 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 12. B.G.N. (Andante) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B♭ Major | 0 | 6B | 82 BPM | ||
Les saisons (The Seasons), Op. 37b: II. February: Carnival | Pyotr Ilyich Tchaikovsky, Ilya Rashkovsky | D Minor | 1 | 7A | 133 BPM | ||
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Etude Op. 10 no. 1 in C Major | Valentina Lisitsa | C Major | 2 | 8B | 88 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM | ||
Sarcasms for Piano, Op. 17: III. Allegro precipitato | Sergei Prokofiev, Daniil Trifonov | F Minor | 3 | 4A | 106 BPM | ||
Sur le fil - From "Amelie From Montmartre" | Music Lab Collective, Valentina Lisitsa | E Minor | 1 | 9A | 55 BPM | ||
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM |
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