Sergei Prokofiev, Daniil Trifonov's 'Sarcasms for Piano, Op. 17: III. Allegro precipitato' came out on October 9, 2020. With Sarcasms for Piano, Op. 17: III. Allegro precipitato being less than two minutes long, at 1:44, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Since Prokofiev: Sarcasms for Piano, Op. 17: III. Allegro precipitato only contains only one song in the album, we like to consider this song as a single. In terms of popularity, Sarcasms for Piano, Op. 17: III. Allegro precipitato is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Sarcasms for Piano, Op. 17: III. Allegro precipitato by Sergei Prokofiev, Daniil Trifonov having a BPM of 106 with a half-time of 53 BPM and a double-time of 212 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of F Minor. Which also means that the camelot key for this song is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scythian Suite, Op. 20: IV. Lolly's Pursuit of the Evil God and the Sunrise | Sergei Prokofiev, Czech Philharmonic Orchestra, Zdeněk Košler | C Minor | 1 | 5A | 96 BPM | ||
Gaspard de la nuit, M. 55: III. Scarbo | Maurice Ravel, Jan Lisiecki | B Major | 2 | 1B | 88 BPM | ||
Piano Concerto in F Sharp Minor, Op. 20: IId. Variation 3 | Alexander Scriabin, Daniil Trifonov, Mariinsky Orchestra, Valery Gergiev | E♭ Minor | 0 | 2A | 82 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
12 Etudes d'exécution transcendante, S.139: No.6 Vision (Lento) | Franz Liszt, Daniil Trifonov | G Major | 1 | 9B | 89 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Symphonic Studies, Op. 13 - Version 1852 with Etudes from 1837 version: Variation II. Marcato il canto | Robert Schumann, Mikhail Pletnev | D♭ Minor | 1 | 12A | 69 BPM | ||
Musica callada I Angelico | Federico Mompou, Arcadi Volodos | A Minor | 0 | 8A | 93 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM |
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