Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop's 'Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov)' came out on August 12, 2016. The duration of Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) is about 3 minutes long, at 3:26. Based on our data, "Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 9 in the song's album "Prokofiev: Symphony No. 6, Op. 111 & Waltz Suite, Op. 110". In this album, this song's track order is #6. In terms of popularity, Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) by Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Symphony No. 5 in B Flat Major, Op. 100: II. Allegro marcato | Sergei Prokofiev, Thomas Søndergård, Royal Scottish National Orchestra | G Major | 2 | 9B | 81 BPM | ||
Instruments Of The Orchestra: Prokofiev: Peter And The Wolf: The Duck | Jeremy Siepmann | A♭ Major | 0 | 4B | 94 BPM | ||
Marche funèbre d'une marionnette | Charles Gounod, Eugene Ormandy | D Major | 0 | 10B | 135 BPM | ||
Symphony No. 2 in B Minor: I. Allegro | Alexander Borodin, Stuttgart Radio Symphony Orchestra, Carlos Kleiber | G Major | 3 | 9B | 137 BPM | ||
Notturno in G Minor | Fanny Mendelssohn, Heather Schmidt | G Minor | 1 | 6A | 125 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Wolf | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Minor | 0 | 5A | 56 BPM | ||
A csodalatos mandarin (The Miraculous Mandarin), Op. 19, BB 82: The three tramps leap out, seize the Mandarin and tear him away from the girl | Béla Bartók, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | D♭ Major | 1 | 3B | 80 BPM | ||
Romeo and Juliet, Op. 64 - Act 3: Aubade | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | E Major | 1 | 12B | 153 BPM |
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