Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard's 'Peter and the Wolf, Op. 67 (Without Narration): The Wolf' came out on July 3, 2015. With Peter and the Wolf, Op. 67 (Without Narration): The Wolf being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 21 in the song's album "Prokofiev: Peter and the Wolf, Op. 67 (Without Narration)". In this album, this song's track order is #8. Peter and the Wolf, Op. 67 (Without Narration): The Wolf is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Peter and the Wolf, Op. 67 (Without Narration): The Wolf by Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scythian Suite, Op. 20 - "Ala and Lolly": II. The Enemy God and the Dance of the Spirits of Darkness | Sergei Prokofiev, Chicago Symphony Orchestra, Claudio Abbado | C Major | 3 | 8B | 118 BPM | ||
The Ghost of Frankenstein (arr. J. Morgan): A New Brain | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | D♭ Major | 0 | 3B | 0 BPM | ||
Sicilienne, Op. 78 (arr. for orchestra) | Gabriel Fauré, Slovak Radio Symphony Orchestra, Ondrej Lenard | E♭ Major | 1 | 5B | 103 BPM | ||
Giselle: Act II: Apparition de Giselle (Apparition of Giselle) | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | A Major | 0 | 11B | 116 BPM | ||
La pentola magica, P. 129: Preludio | Ottorino Respighi, Jakub Francisci, Slovak Radio Symphony Orchestra, Adriano | D Minor | 0 | 7A | 91 BPM | ||
Also sprach Zarathustra, Op. 30: I. Einleitung, oder Sonnenaufgang | Richard Strauss, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 78 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
The Battle of Stalingrad Suite: A City on the Volga - The Invasion | Aram Khachaturian, Slovak Radio Symphony Orchestra, Adriano | D Minor | 1 | 7A | 79 BPM | ||
Saint-Saens: The Carnival of the Animals - A zoological fantasy: Introduction and Royal March of the Lion | Camille Saint-Saëns, John Ogdon, Louis Frémaux, City Of Birmingham Symphony Orchestra | G Major | 3 | 9B | 184 BPM |
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