Igor Stravinsky, Teodor Currentzis, musicAeterna's 'The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes' came out on October 9, 2015. With The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes being less than two minutes long, at 1:51, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Stravinsky: Le Sacre du Printemps". In this album, this song's track order is #5. The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Rite of Spring: Part One: Adoration of the Earth: Games of the Rival Tribes by Igor Stravinsky, Teodor Currentzis, musicAeterna having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird (L'oiseau de feu) - Suite (1919): Lullaby (Berceuse) | Igor Stravinsky, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | D♭ Minor | 0 | 12A | 110 BPM | ||
Essay For Orchestra No. 1, Op. 12 | Samuel Barber, St. Louis Symphony, Leonard Slatkin | E Major | 2 | 12B | 179 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Symphony No. 4 In D Minor, Op. 120: 3. Scherzo | Robert Schumann, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 95 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM | ||
Jazz Suite No. 2: VII. Dance 2 | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Major | 2 | 11B | 109 BPM | ||
Aleko: Men's Dance | Sergei Rachmaninoff, Mariana Zvetkova, Andreana Nikolova, Boiko Zvetanov, Alexander Tekeliev, Peter Naydenov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Nayden Todorov | E♭ Major | 1 | 5B | 91 BPM | ||
The Planets, Op. 32: 6. Uranus, the Magician | Gustav Holst, Orchestre Symphonique de Montréal, Charles Dutoit | C Major | 2 | 8B | 115 BPM | ||
Alborada del gracioso, M. 43: Assez vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Major | 1 | 10B | 121 BPM | ||
Printemps, L. 61: II. Modéré | Claude Debussy, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 2 | 11A | 103 BPM |
Section: 0.9009864330291748
End: 0.9045772552490234