21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor
Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz
Pfitzner: Symphony in C major - Schumann: Koncertstück for Four Horns
2:53 September 4, 2012
BPM
83
Key
G Minor
Camelot
6A

Embed

Share Link

21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor - Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz Information

Acousticness
83%
Danceability
23%
Energy
7%
Instrumentalness
39%
Liveness
8%
Loudness
64%
Speechiness
4%
Valence
26%
Popularity
Loudness
-21.772 dB

Summary

Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz's '21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor' came out on September 4, 2012. The duration of 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Pfitzner: Symphony in C major - Schumann: Koncertstück for Four Horns". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor BPM

With 21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor by Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

21 Hungarian Dances, WoO 1: Hungarian Dance No. 5 in F-Sharp Minor Key

This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Giselle: Act I: Variation de Giselle by Adolphe Adam, Academy of St. Martin in the Fields, Sir Neville MarrinerGiselle: Act I: Variation de GiselleAdolphe Adam, Academy of St. Martin in the Fields, Sir Neville MarrinerE Major112B85 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro by Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzBach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. AllegroOttorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard SchwarzD Major210B126 BPM
13 Pieces for Piano, Op. 76: Elegiaco, No. 10 by Jean Sibelius, Leif Ove Andsnes13 Pieces for Piano, Op. 76: Elegiaco, No. 10Jean Sibelius, Leif Ove AndsnesE Major012B169 BPM
Orpheus in the Underworld: Cancan by Jacques Offenbach, Semyon Bychkov, Wiener PhilharmonikerOrpheus in the Underworld: CancanJacques Offenbach, Semyon Bychkov, Wiener PhilharmonikerD Major610B152 BPM
Symphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto grazioso by Antonín Dvořák, Peter BreinerSymphony No. 8 in G Major, Op. 88, B. 163 (Arr. P. Breiner for Piano): III. Allegretto graziosoAntonín Dvořák, Peter BreinerG Major19B179 BPM
Orphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend) by Jacques Offenbach, Razumovsky Symphony Orchestra, Long YuOrphee aux enfers (Orpheus in the Underworld): Orpheus in the Underworld: Can-Can (Peter's Friend)Jacques Offenbach, Razumovsky Symphony Orchestra, Long YuD Major310B151 BPM
Capriol Suite: 5. Pied-en- l'air by Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerCapriol Suite: 5. Pied-en- l'airPeter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville MarrinerG Major19B113 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Verdi: Aïda, Act 2: Triumphal march by Giuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaVerdi: Aïda, Act 2: Triumphal marchGiuseppe Verdi, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa CeciliaE♭ Major05B93 BPM
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo by Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraCello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppoCamille Saint-Saëns, Mischa Maisky, Orpheus Chamber OrchestraF Major27B131 BPM
ISRC
HKI191202607
Label
L-M Records/RCA Records

Section: 0.6452891826629639

End: 0.6489903926849365