"Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto" by Edward Elgar, London Symphony Orchestra, Sir Colin Davis was released on February 4, 2002. Since Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 2 out of 4 in Elgar: Symphony No. 1 by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto by Edward Elgar, London Symphony Orchestra, Sir Colin Davis is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 5: II. Scherzo. Presto misterioso | Ralph Vaughan Williams, Richard Hickox, London Symphony Orchestra | C Minor | 1 | 5A | 123 BPM | ||
Concerto for Viola and Orchestra: I. Andante comodo | William Walton, Edward Gardner, BBC Symphony Orchestra, James Ehnes | A Minor | 1 | 8A | 102 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 13. Romanza *** (Moderato) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | A♭ Major | 0 | 4B | 87 BPM | ||
Rebels at Bay | John Williams, London Symphony Orchestra | G Major | 3 | 9B | 75 BPM | ||
Symphony No. 6 in D Major, Op. 60: III. Scherzo (Furiant). Presto | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 5 | 9B | 119 BPM | ||
Serenade for Strings in E Minor, Op. 20: III. Allegretto | Edward Elgar, Orpheus Chamber Orchestra | E♭ Major | 0 | 5B | 68 BPM | ||
Symphony No.9 in D minor, WAB 109: III. Adagio - Langsam, feierlich | Anton Bruckner, London Symphony Orchestra, Bernard Haitink | F♯ Minor | 0 | 11A | 76 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Serenade in E Minor, Op. 20: III. Allegretto | Edward Elgar, Wales Camerata, Owain Arwel Hughes | G Major | 0 | 9B | 78 BPM | ||
Anakin's Theme | John Williams, London Symphony Orchestra | F Major | 1 | 7B | 74 BPM |
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