"Requiem: VIII. Ingemisco" by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill was released on August 24, 2009. The duration of Requiem: VIII. Ingemisco is about 3 minutes long, at 3:28. Based on our data, "Requiem: VIII. Ingemisco" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Verdi: Requiem by Giuseppe Verdi, London Symphony Orchestra, London Symphony Chorus, Sir Colin Davis. The song's track number on the album is #8 out of 17 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Requiem: VIII. Ingemisco is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem: VIII. Ingemisco by Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Requiem: VIII. Ingemisco being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: XV. Lux Aeterna | Giuseppe Verdi, Sir Colin Davis, Stuart Neill, Karen Cargill, London Symphony Orchestra, John Relyea | E♭ Major | 0 | 5B | 62 BPM | ||
Requiem, Op.5 (Grande Messe des Morts): 4. Rex tremendae | Hector Berlioz, Wandsworth School Boys Choir, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | E Major | 1 | 12B | 106 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": XIV. E.D.U. (The Composer). Allegro presto (Finale) | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Major | 3 | 9B | 73 BPM | ||
Verdi: Nabucco, Act 1: "Gil arredi festivi" (Chorus) | Giuseppe Verdi, Philharmonia Orchestra, Riccardo Muti | A Major | 1 | 11B | 74 BPM | ||
Symphony No. 8 in G Minor, Op. 88, B. 163: IV. Allegro, ma non troppo | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 1 | 9B | 74 BPM | ||
Wesendonck Lieder, WWV 91: Schmerzen | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Minor | 1 | 5A | 132 BPM | ||
Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Selig, wie die Sonne" | Richard Wagner, Catarina Ligendza, Christa Ludwig, Plácido Domingo, Horst Laubenthal, Dietrich Fischer-Dieskau, Orchester der Deutschen Oper Berlin, Eugen Jochum | F♯ Minor | 2 | 11A | 75 BPM | ||
The High Council Meeting and Qui-Gon's Funeral | John Williams, London Symphony Orchestra | F♯ Minor | 1 | 11A | 77 BPM | ||
Tristan und Isolde / Act 2: "O sink hernieder, Nacht der Liebe" | Richard Wagner, Deborah Voigt, Thomas Moser, Vienna State Opera Orchestra, Christian Thielemann | A♭ Major | 1 | 4B | 67 BPM | ||
Il Barbiere di Siviglia (1996 Digital Remaster): Contro un cor che accende amore (Rosina/Conte) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | F Major | 1 | 7B | 135 BPM |
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