"Stabat Mater: 4. Quae moerabat" by Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson was released on January 1, 1985. The duration of Stabat Mater: 4. Quae moerabat is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Stabat Mater: 4. Quae moerabat's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Pergolesi: Stabat Mater". In this album, this song's track order is #4. Stabat Mater: 4. Quae moerabat is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater: 4. Quae moerabat by Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La serva padrona, symphonia avanti l'opera: Andante ma poco | Giovanni Battista Pergolesi, Ensemble Baroque de Nice, Gilbert Bezzina, Isabelle Poulenard, Philippe Cantor | E Major | 0 | 12B | 101 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Mass No. 6 in E-Flat Major, D. 950: Sanctus: Sanctus Dominus | Franz Schubert, Birte Kulawik, Dorothea Craxton, Cornelia Rosenthal, Raimund Minarschik, Rolf Ehlers, Klaus Schredl, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | D Major | 3 | 10B | 142 BPM | ||
Pergolesi: Stabat Mater in F Minor, P. 77: VII. Eja Mater, fons amoris (Alto) | Giovanni Battista Pergolesi, Véronique Gens, Gérard Lesne, Il Seminario Musicale | E♭ Minor | 1 | 2A | 146 BPM | ||
Miserere II in C minor: 1. Miserere mei, Deus | Giovanni Battista Pergolesi, The Choir of Magdalen College, Oxford, The Wren Orchestra, Bernard Rose | D♭ Major | 2 | 3B | 120 BPM | ||
Mystery (Rosary) Sonata No. 2, "The Visitation": I. — | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | A♭ Major | 0 | 4B | 78 BPM | ||
L'incoronazione di Poppea, SV 308 / Act 3: Pur ti miro | Claudio Monteverdi, Magdalena Kozená, Anna Prohaska, La Cetra Barockorchester Basel, Andrea Marcon | G Major | 0 | 9B | 78 BPM | ||
Requiem, Op. 48: III. Offertoire | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France | D Major | 1 | 10B | 76 BPM | ||
Ein deutsches Requiem (A German Requiem), Op. 45: IV. "Wie lieblich sind deine Wohnungen, Herr Zebaoth" (Choir) | Johannes Brahms, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | E♭ Major | 0 | 5B | 98 BPM | ||
Ich habe genug, BWV 82: Aria: Ich habe genug | Johann Sebastian Bach, Oxford Schola Cantorum, Northern Chamber Orchestra, Nicholas Ward | C Minor | 1 | 5A | 64 BPM |
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