"Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse)" by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev was released on January 1, 2007. With Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse) being less than two minutes long, at 1:25, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 30 in the song's album "Tchaikovsky: Swan Lake (highlights)". In this album, this song's track order is #16. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse) by Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | B Minor | 1 | 10A | 79 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Don Quixote: Act III: Basilio's Variation | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 83 BPM | ||
Hungarian Dance No.9 in E minor - Orchestrated by R. Schollum | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 1 | 10A | 110 BPM | ||
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev | A Major | 2 | 11B | 99 BPM | ||
Giselle: Act II: Variation 1: Andante | Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 2 | 5B | 97 BPM | ||
Act I: A Square In Barcelona (Minkus) | Mariinsky Orchestra | G Major | 3 | 9B | 141 BPM | ||
Le Carnaval des Animaux, R.125: 11. Pianistes | Camille Saint-Saëns, Pascal Rogé, Cristina Ortiz, London Sinfonietta, Charles Dutoit | C Major | 1 | 8B | 87 BPM | ||
Carmen Fantasy, Op. 25: III. Allegro moderato | Pablo de Sarasate, Itzhak Perlman, New York Philharmonic, Zubin Mehta | D Major | 1 | 10B | 100 BPM | ||
Bayadere Galop | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | A Major | 1 | 11B | 134 BPM |
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