On November 3, 1994, the song "Giselle: Act II: Variation 1: Andante" was released by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia. With Giselle: Act II: Variation 1: Andante being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 9 out of 35 in Adam: Giselle (Complete Ballet) by Adolphe Adam. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. In terms of popularity, Giselle: Act II: Variation 1: Andante is currently below average in popularity. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Giselle: Act II: Variation 1: Andante by Adolphe Adam, Slovak Radio Symphony Orchestra, Andrew Mogrelia is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Paquita: Variation 8: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | G Major | 1 | 9B | 86 BPM | ||
Romeo and Juliet, Op. 64: Act I: Dance of the Knights | Sergei Prokofiev, Ukraine National Symphony Orchestra, Andrew Mogrelia | C Major | 1 | 8B | 96 BPM | ||
Paquita: Variation 7: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 1 | 11B | 165 BPM | ||
The Watermill | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | F Major | 0 | 7B | 80 BPM | ||
Caprice Russe (Russian Capriccio), Op. 102 | Anton Rubinstein, USSR State Symphony Orchestra, Yevgeny Svetlanov | E♭ Major | 3 | 5B | 109 BPM | ||
Grand Pas Classique Female Variation | Bruno Lawrence Raco | F Major | 1 | 7B | 103 BPM | ||
La primavera, P. 136: Invocazione | Ottorino Respighi, Miroslav Dvorský, Richard Haan, Vladimir Kubovcik, Jana Valášková, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Adriano | D♭ Major | 2 | 3B | 84 BPM | ||
Pavane pour une infante defunte | Maurice Ravel, Slovak Radio Symphony Orchestra, Kenneth Jean | G Major | 0 | 9B | 86 BPM | ||
Adam: Le postillon de Lonjumeau, Act 1: Ronde du postillon. ''Mes amis, écoutez l'histoire'' (Chapelou, Le Marquis, Chœur) | Adolphe Adam, Thomas Fulton, Ensemble Choral Jean Laforge, Francois Le Roux, John Aler, Orchestre Philharmonique de Monte-Carlo | D♭ Major | 1 | 3B | 129 BPM | ||
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones | Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm | C Major | 2 | 8B | 96 BPM |
Section: 0.6128280162811279
End: 0.6179075241088867