"Pavane pour une infante defunte" by Maurice Ravel, Slovak Radio Symphony Orchestra, Kenneth Jean had its release date on May 14, 1991. This song is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 7 in the song's album "Ravel: Rapsodie Espagnole / La Valse / Daphnis Et Chloe". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Hong Kong. Pavane pour une infante defunte is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane pour une infante defunte by Maurice Ravel, Slovak Radio Symphony Orchestra, Kenneth Jean having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Morceaux de fantaisie, Op. 3: No. 2 Prelude in C-Sharp Minor | Sergei Rachmaninoff, Idil Biret | A Major | 0 | 11B | 133 BPM | ||
Nocturne No. 4 in A Major, H.36 | John Field, Elizabeth Joy Roe | A Major | 1 | 11B | 68 BPM | ||
Pavane pour une infante défunte, M.19 - Orchestral Version | Maurice Ravel, John Zirbel, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 0 | 9B | 90 BPM | ||
Berceuse sur le nom de Gabriel Fauré | Maurice Ravel, Chantal Juillet, Pascal Rogé | C Major | 1 | 8B | 80 BPM | ||
The Ghost of Frankenstein: Arrival at Vasaria | Hans J. Salter, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | D Major | 0 | 10B | 133 BPM | ||
Blumenfeld : Etude for the Left Hand in A flat major Op.36 | Felix Blumenfeld, James Rhodes | A♭ Major | 1 | 4B | 112 BPM | ||
Les danses polovtsiennes (Extraits de l'opéra Le Prince Igor): II. Danse des hommes | Alexander Borodin, Anima Eterna, Jos Van Immerseel | A Major | 0 | 11B | 87 BPM | ||
La séparation "Nocturne in F Minor": La separation, Nocturne in F Minor | Mikhail Glinka, Victor Ryabchikov | F Minor | 1 | 4A | 73 BPM | ||
Sonatine, M. 40: 3. Animé | Maurice Ravel, Martha Argerich | A Major | 0 | 11B | 178 BPM | ||
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano) | Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason | A Major | 1 | 11B | 89 BPM |