Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm's 'Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones' came out on January 1, 2009. The duration of Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones is about 3 minutes long, at 3:12. Based on our data, "Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 7 in the song's album "Saint-Saens: Carnival of the Animals". In this album, this song's track order is #1. In terms of popularity, Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones by Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm having a BPM of 96 with a half-time of 48 BPM and a double-time of 192 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: Le quattro stagioni (The Four Seasons), Op. 8: Violin Concerto No. 4 in F Minor, RV 297, "L'Inverno". II. Largo | Antonio Vivaldi, Anne-Sophie Mutter, Herbert von Karajan, Wiener Philharmoniker | B♭ Major | 1 | 6B | 75 BPM | ||
Symphony No. 4 in D Minor, Op. 120: II. Romanze (Ziemlich langsam) - Live | Robert Schumann, Wiener Philharmoniker, Leonard Bernstein | D♭ Major | 7 | 3B | 96 BPM | ||
Jenufa / Act 1: Prelude | Leoš Janáček, Wiener Philharmoniker, Sir Charles Mackerras | A Major | 1 | 11B | 70 BPM | ||
Symphony No. 5 In B Flat, D.485: I. Allegro | Franz Schubert, Wiener Philharmoniker, Karl Böhm | C Major | 1 | 8B | 106 BPM | ||
Dichter und Bauer: Ouvertüre | Franz von Suppé, Riccardo Muti, Wiener Philharmoniker | D Major | 1 | 10B | 150 BPM | ||
Leichte Kavallerie: Ouvertüre | Franz von Suppé, Franz Welser-Möst, Wiener Philharmoniker | A Major | 3 | 11B | 126 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Peer Gynt Suite No.2 op. 55 Peer Gynt's Homecoming (Allegro agitato) | Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 82 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": II. Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 1 | 4A | 84 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM |
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