Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar's 'Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens' came out on August 1, 2005. The duration of Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens is about two minutes long, specifically at 2:20. This song does not appear to have any foul language. Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens's duration is considered a little bit shorter than the average duration of a typical track. The song is number 3 out of 9 in Borodin: Prince Igor (Highlights) / In the Steppes of Central Asia by Alexander Borodin. In terms of popularity, Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens by Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar is Andante (at a walking pace), since this song has a tempo of 95 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Bagatelles, Op. 97: No. 3: Kleiner Walzer | Jean Sibelius, Håvard Gimse | E Major | 1 | 12B | 83 BPM | ||
Ruslan and Lyudmila, Op. 5, Act IV: No. 19, March of Chernomor | Mikhail Glinka, Taras Shtonda, Ekaterina Morozova, Vadim Lynkovsky, Aleksandra Durseneva, Panfilov, Maria Gavrilova, Valery Gilmanov, Maksim Paster, Irina Dolzhenko, Bolshoi Theatre Orchestra, Alexander Vedernikov | C Major | 0 | 8B | 165 BPM | ||
Lalo: Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Maxim Vengerov, Antonio Pappano, Philharmonia Orchestra | D Minor | 1 | 7A | 75 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM | ||
Piano Concerto No. 1, Op. 7: III. Allegro con brio | Nicolas Flagello, Tatjana Rankovich, Ukraine National Radio Symphony Orchestra, John McLaughlin Williams | D♭ Minor | 3 | 12A | 165 BPM | ||
Czech Suite in D Major, Op. 39, B. 93: I. Preludium. Allegro moderato | Antonín Dvořák, Prague Chamber Orchestra, Josef Vlach | D Major | 1 | 10B | 81 BPM | ||
Piano Concerto No.1 In F Sharp Minor, Op.1: 3. Allegro vivace | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 89 BPM | ||
Bocherini / Arr Grützmacher: Cello Concerto No. 9 in B-Flat Major, G. 482: II. Adagio non troppo (Arr. Grützmacher) | Luigi Boccherini, Jacqueline du Pré, Daniel Barenboim, English Chamber Orchestra | G Minor | 1 | 6A | 86 BPM | ||
Sylvia: Act I: Le berger (Pastorale) | Léo Delibes, Razumovsky Symphony Orchestra, Andrew Mogrelia | B♭ Major | 0 | 6B | 72 BPM | ||
Violin Concerto in D Minor, Op. 47: III. Allegro, ma non tanto | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 2 | 10B | 112 BPM |
Section: 0.7378342151641846
End: 0.7420670986175537