Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov made "Paquita: Variation 7: Allegro" available on January 1, 1995. With Paquita: Variation 7: Allegro being less than two minutes long, at 1:19, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Boris Spassov's "Minkus, L.: Bayadere (La) / Paquita [Ballets]" album is number 27 out of 30. The popularity of Paquita: Variation 7: Allegro is currently below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Paquita: Variation 7: Allegro by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov to be Vivace (lively and fast) because the track has a tempo of 165 BPM, a half-time of 82BPM, and a double-time of 330 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
"Pomp and Circumstance," Op.39: March, No.2 In A Minor | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | B Minor | 2 | 10A | 132 BPM | ||
Pictures At An Exhibition: Ballet Of The Chickens In Their Shells | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F♯ Major | 1 | 2B | 160 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 4. Allegro ma non troppo | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | G Major | 2 | 9B | 141 BPM | ||
Act I: Street Dancer (Minkus) | Mariinsky Orchestra | D Major | 1 | 10B | 87 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Spartacus: Variation of Aegina and Bacchanalia | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | D♭ Major | 3 | 3B | 132 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 4a, Solo de Colas | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | E♭ Major | 4 | 5B | 130 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM |
Section: 0.6221489906311035
End: 0.6280324459075928