Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein's '"Pomp and Circumstance," Op.39: March, No.2 In A Minor' came out on January 1, 1982. With this song being about 5 minutes long, at 5:12, ""Pomp and Circumstance," Op.39: March, No.2 In A Minor" by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 17 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Based on our statistics, "Pomp and Circumstance," Op.39: March, No.2 In A Minor's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of "Pomp and Circumstance," Op.39: March, No.2 In A Minor by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) | Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Major | 3 | 10B | 117 BPM | ||
Symphony No. 1 in D Major, Op. 25: II. Larghetto | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): V. Les dragons d'Alcala | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | F Minor | 0 | 4A | 60 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: Prelude - Live | Richard Wagner, Bavarian Radio Symphony Orchestra, Leonard Bernstein | G Major | 3 | 9B | 96 BPM | ||
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse | Pyotr Ilyich Tchaikovsky, Leonard Bernstein, New York Philharmonic | D Major | 2 | 10B | 93 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: VII. Mélisande At The Spinning Wheel | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | C Minor | 0 | 5A | 140 BPM | ||
4 Dance Episodes from Rodeo: II. Corral Nocturne | Aaron Copland, Leonard Bernstein, New York Philharmonic | C Major | 0 | 8B | 92 BPM | ||
Mass / VI. Gloria: IV. Trope: "Thank You" - Live | Leonard Bernstein, Sarah Uriarte Berry, Kevin Vortmann, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast | F Major | 0 | 7B | 131 BPM | ||
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice | Hector Berlioz, Leonard Bernstein, New York Philharmonic | G Minor | 3 | 6A | 78 BPM |
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