Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard made "Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)" available on January 1, 1969. The duration of Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) is about two minutes long, specifically at 2:49. This song does not appear to have any foul language. Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 12 in Debussy: Petite suite, Danses pour harpe et orchestre & Épigraphes antiques by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard. In terms of popularity, Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Debussy: Petite suite, CD 71, L. 65: IV. Ballet (Orch. Büsser) by Claude Debussy, Jean-François Paillard, Orchestre de chambre Jean-François Paillard is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Enigma Variations: Variation I. C.A.E - L'istesso tempo | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 72 BPM | ||
Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: III. Allegro scherzando | Sergei Rachmaninoff, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | F Minor | 2 | 4A | 121 BPM | ||
Jazz Suite No. 1: II. Polka | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | C Major | 2 | 8B | 134 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Clarinet Trio in A Minor, Op. 114: I. Allegro | Johannes Brahms, Andreas Ottensamer, Gautier Capuçon, Yuja Wang | A Minor | 1 | 8A | 68 BPM | ||
La Revue de cuisine: 2. Tango | Bohuslav Martinů, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 90 BPM | ||
Symphony No.2 In D, Op.73: 4. Allegro con spirito | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 102 BPM |
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