"Enigma Variations: Variation I. C.A.E - L'istesso tempo" by Edward Elgar, Sir Colin Davis, London Symphony Orchestra was released on June 5, 2007. With Enigma Variations: Variation I. C.A.E - L'istesso tempo being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 2 out of 16 in Elgar: Enigma Variations, Introduction & Allegro by Edward Elgar, London Symphony Orchestra, Sir Colin Davis. Enigma Variations: Variation I. C.A.E - L'istesso tempo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Enigma Variations: Variation I. C.A.E - L'istesso tempo by Edward Elgar, Sir Colin Davis, London Symphony Orchestra is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition (Orch. Ravel): VII. The Market at Limoges | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E♭ Major | 3 | 5B | 123 BPM | ||
Masquerade - Ballet Suite: 2. Nocturne | Aram Khachaturian, John Georgiadis, London Symphony Orchestra, Stanley Black | A Major | 0 | 11B | 111 BPM | ||
Fanfare for the Common Man | Aaron Copland, London Symphony Orchestra | B♭ Major | 2 | 6B | 55 BPM | ||
Mother Goose: VI. Laideronnette | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | A♭ Minor | 0 | 1A | 124 BPM | ||
Main Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 100 BPM | ||
Scheherazade: The princess in a palanquin | Nikolai Rimsky-Korsakov, Joakim Svenheden | G Major | 1 | 9B | 166 BPM | ||
The Throne Room and End Title | John Williams, London Symphony Orchestra | C Major | 4 | 8B | 58 BPM | ||
Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | F Major | 2 | 7B | 93 BPM | ||
Bolt, Op. 27a (Ballet Suite No. 5): VI. The Dance of the Colonial Slave-Girl | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Minor | 0 | 8A | 138 BPM | ||
Pictures At An Exhibition: The Catacombs (Sepulchrum romanum) | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | B Minor | 0 | 10A | 67 BPM |
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