Aaron Copland, Los Angeles Philharmonic, Zubin Mehta's 'Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride' came out on January 1, 1996. The duration of Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride is about two minutes long, specifically at 2:53. This song does not appear to have any foul language. Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride's duration is considered a little bit shorter than the average duration of a typical track. The song is number 6 out of 30 in Copland: Appalachian Spring; Lincoln Portrait; Fanfare; Rodeo, etc. by Aaron Copland, Zubin Mehta, Antal Doráti, Sir Neville Marriner, Traditional. In terms of popularity, Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Appalachian Spring - 1945 Suite: 5. Allegro: Solo Dance of the Bride by Aaron Copland, Los Angeles Philharmonic, Zubin Mehta is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Alborada del Gracioso, M. 43 No. 4 | Maurice Ravel, Daniel Barenboim, Chicago Symphony Orchestra | D Major | 0 | 10B | 123 BPM | ||
Do, Do, Do | George Gershwin, Zubin Mehta, New York Philharmonic | E♭ Major | 1 | 5B | 80 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
"West Side Story" - Symphonic Dances: IX. Finale - Live | Leonard Bernstein, Los Angeles Philharmonic | C Major | 0 | 8B | 170 BPM | ||
Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Violin Concerto No.1 in G Minor, Op.26: 3. Finale (Allegro energico) | Max Bruch, David Garrett, Israel Philharmonic Orchestra, Zubin Mehta | G Major | 1 | 9B | 95 BPM | ||
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Appalachian Spring: III. Moderato | Aaron Copland, Leonard Bernstein, New York Philharmonic | F♯ Major | 0 | 2B | 177 BPM | ||
Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo | Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle | D Minor | 2 | 7A | 171 BPM | ||
Double Concerto for 2 Violins, Op. 49: I. Scherzo: Allegro | Gustav Holst, Janice Graham, Sarah Ewins, English Sinfonia, Howard Griffiths | F Major | 1 | 7B | 88 BPM |
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