Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan made "Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig)" available on January 1, 1998. Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) is about six minutes long, preciously at 5:48, making this song fairly long compared to other songs. There are a total of 16 in the song's album "Strauss, R.: Don Quixote; Horn Concerto No.2". In this album, this song's track order is #13. Furthermore, we believe that the track originated from Germany. In terms of popularity, Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) by Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan having a BPM of 102 with a half-time of 51 BPM and a double-time of 204 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | ||
Daphnis et Chloé, M. 57 / Première partie: Danse légère et gracieuse de Daphnis - Assez lent - Animé - Vif | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez, Rundfunkchor Berlin | B♭ Minor | 0 | 3A | 93 BPM | ||
Enigma Variations: Variation XI. G.R.S - Allegro di molto | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | D Major | 2 | 10B | 164 BPM | ||
Concerto In G Minor R439 Op.10 No.2 "La Notte": 2. Largo - Presto | Antonio Vivaldi, Andreas Blau, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 148 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
The Planets, Op. 32: 1. Mars, the Bringer of War | Gustav Holst, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 5 | 4B | 149 BPM | ||
Sibelius: Symphony No. 2 in D Major, Op. 43: II. Tempo andante, ma rubato | Jean Sibelius, Herbert von Karajan, Philharmonia Orchestra | D Minor | 1 | 7A | 81 BPM | ||
Cello Concertino in G Minor, Op. 132 (arr. V. Blok): I. Andante mosso | Sergei Prokofiev, Vladimir Blok, Alexander Rudin, Ukraine National Symphony Orchestra, Theodore Kuchar | A♭ Major | 1 | 4B | 88 BPM | ||
Symphony No. 1 In D, Op. 25 "Classical Symphony": 3. Gavotta (Non troppo allegro) | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Symphonic Dances, Op. 45: II. Andante con moto (Tempo di valse) | Sergei Rachmaninoff, London Symphony Orchestra, Valery Gergiev | F♯ Minor | 0 | 11A | 73 BPM |
Section: 0.7262670993804932
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