"Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman" by Nikolai Rimsky-Korsakov, Joakim Svenheden was released on February 1, 1999. The duration of Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "Rimsky-Korsakov: Scheherezade". In this album, this song's track order is #12. In terms of popularity, Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman by Nikolai Rimsky-Korsakov, Joakim Svenheden having a BPM of 93 with a half-time of 46 BPM and a double-time of 186 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM | ||
Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito | Johannes Brahms, David Zinman | D Major | 2 | 10B | 97 BPM | ||
String Quartet No. 1 in A Major: III. Scherzo: Prestissimo | Alexander Borodin, Budapest Haydn Quartet | C Major | 2 | 8B | 109 BPM | ||
Cello Concerto in D Minor: 2. Intermezzo: Andantino con moto - Allegro presto | Édouard Lalo, Pierre Fournier, Orchestre Lamoureux, Jean Martinon | G Major | 1 | 9B | 85 BPM | ||
The Firebird: 14. Lullaby of the Firebird | Igor Stravinsky, Detroit Symphony Orchestra, Antal Doráti | E♭ Minor | 0 | 2A | 65 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: I. Allegro | Dmitri Shostakovich, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | E♭ Major | 3 | 5B | 132 BPM | ||
Les animaux modèles Suite, FP 111: VI. Le repas de midi | Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud | G Minor | 1 | 6A | 80 BPM | ||
Symphony No. 4 in C Minor, Op. 43: IV. Largo | Dmitri Shostakovich, Rotterdam Philharmonic Orchestra, Yannick Nézet-Séguin | F♯ Major | 1 | 2B | 85 BPM | ||
Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM |
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