"Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo" by Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel was released on July 29, 2022. Since Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Dvořák: Symphonies Nos. 7-9 by Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No. 8 in G Major, Op. 88, B. 163: IV. Allegro ma non troppo by Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel is Allegro (fast, quick, and bright), since this song has a tempo of 127 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No.2 in B minor: 1. Allegro | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | G Major | 2 | 9B | 133 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: IV. Andante | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | C Major | 0 | 8B | 63 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM | ||
Violin Concerto in A Minor, Op. 53, B. 108: III. Finale. Allegro giocoso, ma non troppo | Antonín Dvořák, Hilary Hahn, Frankfurt Radio Symphony Orchestra, Andrés Orozco-Estrada | C Major | 3 | 8B | 135 BPM | ||
Holberg Suite, Op. 40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 0 | 8B | 86 BPM | ||
Le tombeau de Couperin, M. 68: III. Menuet | Maurice Ravel, Cleveland Orchestra, Pierre Boulez | G Major | 0 | 9B | 84 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kräftig bewegt, doch nicht zu schnell | Gustav Mahler, Leonard Bernstein, New York Philharmonic | A Major | 1 | 11B | 173 BPM | ||
Estancia, Op. 8: Scene 5, El Amanecer - Escena | Alberto Ginastera, Los Angeles Philharmonic, Gustavo Dudamel, Gustavo Castillo | B♭ Major | 1 | 6B | 140 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.6 in D Major (Allegretto scherzando) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | D Major | 1 | 10B | 110 BPM |
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