On 2008, the song "Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo" was released by Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle. Since Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 4 out of 7 in Berlioz: Symphonie fantastique & La Mort de Cléopâtre by Hector Berlioz, Sir Simon Rattle, Berliner Philharmoniker. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. The popularity of Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Berlioz: Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice. Allegretto non troppo by Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle is Vivace (lively and fast), since this song has a tempo of 171 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les nuits d'été, Op. 7: 3. Sur les lagunes | Hector Berlioz, Kiri Te Kanawa, Orchestre de Paris, Daniel Barenboim | E Major | 4 | 12B | 80 BPM | ||
Symphony No.5 in D minor, Op.107, MWV N15 - "Reformation": 4. Choral "Ein' Feste Burg ist unser Gott!" (Andante con moto - Allegro vivace - Allegro maestoso - Più animato poco a poco) | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | D Major | 3 | 10B | 83 BPM | ||
Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato | Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 0 | 2A | 75 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | C Minor | 5 | 5A | 150 BPM | ||
Spanish Capriccio in A Major, Op. 34: V. Fandango asturiano | Nikolai Rimsky-Korsakov, Czech Philharmonic Orchestra, Vladimír Válek | D Major | 3 | 10B | 96 BPM | ||
La Bohème / Act 1: "Questo Mar Rosso" | Giacomo Puccini, Rolando Panerai, Luciano Pavarotti, Nicolai Ghiaurov, Berliner Philharmoniker, Herbert von Karajan | F Major | 3 | 7B | 98 BPM | ||
Polovtsian Dances, from: Prince Igor: Moderato alla breve | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | B Minor | 3 | 10A | 184 BPM | ||
Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | ||
Sinfonietta on Russian Themes, Op. 31: III. Scherzo - Finale | Nikolai Rimsky-Korsakov, St. Petersburg State Symphony Orchestra, Andre Anichanov | G Major | 0 | 9B | 110 BPM | ||
Symphonie fantastique, Op. 14: Symphonie fantastique, Op. 14: III. Scène aux champs | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | F Major | 0 | 7B | 79 BPM |
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