"Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato" by Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1992. Since Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 8 in the song's album "Prokofiev: Symphonies Nos.1 "Classical" & 5". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Symphony No. 5 In B-Flat, Op. 100: 2. Allegro marcato by Sergei Prokofiev, Berliner Philharmoniker, Herbert von Karajan having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote, Op. 35, TrV 184: Finale (Sehr ruhig) | Richard Strauss, Pierre Fournier, Giusto Cappone, Berliner Philharmoniker, Herbert von Karajan | E♭ Major | 3 | 5B | 102 BPM | ||
Symphony No.7 In E Major - Ed. Haas: 4. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 117 BPM | ||
Peer Gynt Suite No.2, Op.55: 2. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 123 BPM | ||
Appalachian Spring: VI. Meno mosso | Aaron Copland, Leonard Bernstein, New York Philharmonic | A♭ Major | 0 | 4B | 143 BPM | ||
Daphnis et Chloé, M. 57 / Troisième partie: Pantomime | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | F♯ Minor | 0 | 11A | 169 BPM | ||
Symphony No.3 In F, Op.90: 1. Allegro con brio - Un poco sostenuto - Tempo I | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Symphony No. 4 In E Minor, Op. 98: 4. Allegro energico e passionato - Più allegro | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Minor | 1 | 9A | 91 BPM | ||
Piano Concerto in G Major, M. 83: 3. Presto | Maurice Ravel, Martha Argerich, Berliner Philharmoniker, Claudio Abbado | C Major | 4 | 8B | 81 BPM | ||
The Hebrides, Op. 26, MWV P. 7 | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 73 BPM | ||
On the Dnieper Suite, Op. 51bis: III. The Betrothal | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 1 | 10B | 128 BPM |
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