"Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. With Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften being less than two minutes long, at 1:59, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #4. Based on our statistics, Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30, TrV 176: Von den Freuden und Leidenschaften by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 150 with a half-time of 75 BPM and a double-time of 300 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of C Minor. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Arlésienne Suite No.1: Minuetto | Georges Bizet, Daniel Deffayet, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 175 BPM | ||
Gaîté parisienne: Tempo di marcia | Jacques Offenbach, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 3 | 6B | 130 BPM | ||
Piano Concerto No. 2 Op. 102 in F Major: I. Allegro | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | B♭ Major | 2 | 6B | 73 BPM | ||
Le Sacre du Printemps - Revised version for Orchestra (published 1947) / Part 1: The Adoration of the Earth: The Augurs of Spring: Dances of the Young Girls | Igor Stravinsky, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 3 | 1A | 104 BPM | ||
Peer Gynt Suite No.2, Op.55: 4. Solveig's Song | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | A Minor | 0 | 8A | 80 BPM | ||
Pelléas et Mélisande - Incidental Music To Maeterlinck's Play, Op.46 (1905): 9. The Death Of Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 0 | 6B | 72 BPM | ||
Symphony No. 3 In E Flat, Op. 97 - "Rhenish": 4. Feierlich | Robert Schumann, Berliner Philharmoniker, Herbert von Karajan | E♭ Minor | 1 | 2A | 87 BPM | ||
Stravinsky: Symphony in C: II. Larghetto concertante | Igor Stravinsky, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 104 BPM | ||
Symphony No.9 In D / 4. Satz: Tempo I. Molto adagio | Gustav Mahler, Berliner Philharmoniker, Herbert von Karajan | A Major | 1 | 11B | 88 BPM | ||
Symphony No.7 In E Major - Ed. Haas: 4. Finale. Bewegt, doch nicht schnell | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | D♭ Major | 1 | 3B | 117 BPM |
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