Hector Berlioz, Leonard Bernstein, New York Philharmonic's 'Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice' came out on 1964. With this song being about 5 minutes long, at 4:49, "Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice" by Hector Berlioz, Leonard Bernstein, New York Philharmonic is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 6 in Berlioz: Symphonie fantastique, Op. 14, H. 48 by Hector Berlioz, Leonard Bernstein, New York Philharmonic. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice by Hector Berlioz, Leonard Bernstein, New York Philharmonic is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vol. IV - The Delights and Dangers of Ambiguity: But, Mind You | Various Artists, Leonard Bernstein | F Major | 0 | 7B | 176 BPM | ||
8 Slavonic Dances, Op.46, B.83: No.3 in A Flat Major (Poco allegro) | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | A♭ Major | 1 | 4B | 98 BPM | ||
Carmen Suite No. 2: La Garde montante. Allegro (Act I) | Georges Bizet, Leonard Bernstein, New York Philharmonic | D Minor | 3 | 7A | 118 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Piano Concerto No. 4 in G Major, Op. 58: II. Andante con moto - Live | Ludwig van Beethoven, Krystian Zimerman, Wiener Philharmoniker, Leonard Bernstein | F Major | 1 | 7B | 172 BPM | ||
Le Carnaval des Animaux: Grand Fantaisie Zoologique: IX. Le Coucou au fond des bois | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | E Major | 0 | 12B | 137 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace - Poco più presto - Live | Johannes Brahms, Gidon Kremer, Wiener Philharmoniker, Leonard Bernstein | E Major | 2 | 12B | 119 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: III. Scherzino (Allegro – Andantino - Allegro) | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | F Minor | 0 | 4A | 104 BPM | ||
Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace | Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein | G Major | 4 | 9B | 76 BPM | ||
Prince Igor: Polovtsian Dances (Remastered): No. 17d, Presto | Alexander Borodin, Leonard Bernstein, New York Philharmonic | F Major | 3 | 7B | 104 BPM |
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