Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein's 'Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace' came out on 1954. Since Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jascha Heifetz's "Korngold: Violin Concerto, Op. 35, in D, Lalo: Symphonie espagnole, Op. 21" album is number 3 out of 7. On top of that, United States appears to be the country where this track was created. Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Violin Concerto in D Major, Op. 35: III. Finale - Allegro assai vivace by Erich Wolfgang Korngold, Jascha Heifetz, Alfred Wallenstein to be Adagio (slowly with great expression) because the track has a tempo of 76 BPM, a half-time of 38BPM, and a double-time of 152 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Minor for Two Violins, BWV 1043: Vivace | Johann Sebastian Bach, Jascha Heifetz, Erick Friedman, Thornton Lofthouse, The New Symphony Orchestra Of London, Sir Malcolm Sargent | A Minor | 2 | 8A | 94 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': IV. Allegro giusto | Antonín Dvořák, Krzysztof Chorzelski | F♯ Major | 2 | 2B | 92 BPM | ||
Concerto for Orchestra, Sz. 116: III. Elegia (Andante, non troppo) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Symphony No. 1 in D Major "Titan": II. Kraftig bewegt, doch nicht zu schnell | Gustav Mahler, Polish National Radio Symphony Orchestra, Michael Halasz | E♭ Minor | 2 | 2A | 113 BPM | ||
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | ||
Sonata No. 4 in A Minor, Op. 23: Presto | Ludwig van Beethoven, Jascha Heifetz, Emanuel Bay | A Minor | 1 | 8A | 96 BPM | ||
Clarinet Quintet in B Minor, Op. 115: III. Andantino - Presto non assai, ma con sentimento | Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen | D Major | 2 | 10B | 105 BPM | ||
Havanaise, Op. 83: Allegro mo non troppo | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
Violin Concerto in D, Op. 77: II. Andante | Johannes Brahms, Jascha Heifetz, Serge Koussevitzky | E♭ Major | 2 | 5B | 112 BPM | ||
Symphony No. 1 in F Minor, Op. 10: I. Allegretto - Allegro non troppo | Dmitri Shostakovich, Boston Symphony Orchestra, Andris Nelsons | B♭ Minor | 0 | 3A | 125 BPM |
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