Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov's 'Paquita: Variation 8: Allegro' came out on January 1, 1995. With Paquita: Variation 8: Allegro being less than two minutes long, at 1:38, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Boris Spassov's "Minkus, L.: Bayadere (La) / Paquita [Ballets]" album is number 28 out of 30. On top of that, United States appears to be the country where this track was created. Paquita: Variation 8: Allegro is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Paquita: Variation 8: Allegro by Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Sylphides: 3. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 110 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Carmen Suite: VIII. Bolero (after G. Bizet): Introduction | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D♭ Major | 0 | 3B | 99 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Centre Tendu (from La Bayadère) | Douglas Schultz, Ludwig Minkus | E Major | 2 | 12B | 118 BPM | ||
Giselle: Peasant pas de deux (arr. March): Act I: Alegretto: Second Men's Variation | Franz Burgmüller, March, Sofia National Opera Orchestra, Boris Spassov | B Major | 1 | 1B | 88 BPM | ||
Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version | Henryk Wieniawski, Itzhak Perlman, Samuel Sanders | D Major | 3 | 10B | 114 BPM | ||
Swan Lake, Op. 20, Act III: "Variazione del principe" | Silvano Belfiore | F♯ Minor | 3 | 11A | 130 BPM | ||
Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Gewitter. Sturm. Allegro - | Ludwig van Beethoven, Philadelphia Orchestra, Riccardo Muti | G Major | 0 | 9B | 127 BPM |
Section: 0.8206543922424316
End: 0.8236746788024902