Carmen Suite: VIII. Bolero (after G. Bizet): Introduction - Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar Information

Acousticness: 84%
Danceability: 23%
Energy: 0%
Instrumentalness: 92%
Liveness: 11%
Loudness: 51%
Speechiness: 5%
Valence: 3%
Popularity: 14%
Loudness: -29.265 dB

Summary

"Carmen Suite: VIII. Bolero (after G. Bizet): Introduction" by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar was released on October 7, 1994. With Carmen Suite: VIII. Bolero (after G. Bizet): Introduction being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 14 in the song's album "Shchedrin: Carmen Suite / Concerto for Orchestra". In this album, this song's track order is #1. In terms of popularity, Carmen Suite: VIII. Bolero (after G. Bizet): Introduction is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Carmen Suite: VIII. Bolero (after G. Bizet): Introduction BPM

With Carmen Suite: VIII. Bolero (after G. Bizet): Introduction by Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar having a BPM of 99 with a half-time of 50 BPM and a double-time of 198 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Carmen Suite: VIII. Bolero (after G. Bizet): Introduction Key

This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Coppelia Ballet Suite: Czardas	Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard	D Major	1	10B	95 BPM
Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio	Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine	A♭ Major	1	4B	118 BPM
Peer Gynt, Op. 23: No. 16, Anitra's Dance	Edvard Grieg, San Francisco Symphony, Herbert Blomstedt	A Minor	0	8A	82 BPM
Lohengrin, Act III: Prelude	Richard Wagner, Slovak Philharmonic, Michael Halasz	G Major	2	9B	94 BPM
Le carnaval des animaux, R. 125: I. Introduction - II. Poules et Coqs - III. Hémiones	Camille Saint-Saëns, Alfons Kontarsky, Aloys Kontarsky, Wiener Philharmoniker, Karl Böhm	C Major	2	8B	96 BPM
Adam Zero: Adam's Fates	Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones	D Minor	3	7A	118 BPM
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2	Frédéric Chopin, Philharmonia Orchestra, Robert Irving	D♭ Minor	1	12A	74 BPM
Bilder einer Ausstellung: III. Tuileries	Modest Mussorgsky, Maurice Ravel, Ukraine National Symphony Orchestra, Theodore Kuchar	E♭ Major	2	5B	66 BPM
Capriccio espagnol, Op. 34: III. Alborada	Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz	B♭ Major	2	6B	133 BPM
Prince Igor (Knyaz Igor): Act II: Polovtsian Dances - Ulyetay na kril'yahk vyetra (Fly away on the wings of the wind) (version for chorus)	Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar	D Major	2	10B	110 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.059760332107544

End: 1.0651953220367432