Henryk Wieniawski, Itzhak Perlman, Samuel Sanders made "Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version" available on January 12, 1996. With this song being about 5 minutes long, at 4:32, "Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version" by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Wieniawski: Works for Violin by Henryk Wieniawski, Itzhak Perlman. The song's track number on the album is #5 out of 11 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
Since Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version by Henryk Wieniawski, Itzhak Perlman, Samuel Sanders has a tempo of 114 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Scherzo-tarantelle in G Minor, Op.16 - 1987 Remastered Version being at 114 BPM, the half-time would be 57 BPM with a double-time of 228 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Caprices, Op.1 (2000 - Remaster): No. 21 in A | Niccolò Paganini, Itzhak Perlman | A Major | 1 | 11B | 57 BPM | ||
Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: I. Allegro molto appassionato | Felix Mendelssohn, Bernard Haitink | E Minor | 2 | 9A | 96 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | ||
Hungarian Dance No.4 In F Sharp Minor | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | F♯ Minor | 2 | 11A | 80 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Khachaturian: Violin Concerto in D Minor: I. Allegro con fermezza | Aram Khachaturian, Itzhak Perlman, Israel Philharmonic Orchestra, Zubin Mehta | D♭ Major | 1 | 3B | 92 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Cello Concerto No. 1 in A Minor, Op. 33: I. Allegro non troppo | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | F Major | 2 | 7B | 131 BPM |
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