"Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto" by Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra was released on 1983. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto is about six minutes long, preciously at 5:37, making this song fairly long compared to other songs. There are a total of 27 in the song's album "Reigen seliger Geister: Orfeo ed Euridice - Highlights". In this album, this song's track order is #15. Furthermore, we believe that the track originated from France. Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto by Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
F Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wind Quintet in E-Flat Major, Hess 19: II. Adagio maestoso | Ludwig van Beethoven, Ottó Rácz, Jozsef Vajda, Sándor Berki, János Keveházi, Jeno Kevehazi | E♭ Major | 0 | 5B | 62 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Don Quixote: Introduction | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | G Major | 1 | 9B | 80 BPM | ||
Orfeo ed Euridice, Wq. 30: Mélodie (Arr. Garrett / van der Heijden for Violin and Orchestra) | Christoph Willibald Gluck, David Garrett, Franck van der Heijden, Orchestra the Prezent | D Minor | 2 | 7A | 69 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Elder Scrolls: Oblivion | Jeremy Soule, Andrew Skeet, London Philharmonic Orchestra | D Minor | 2 | 7A | 170 BPM | ||
Solfeggietto in C minor, Wq. 117/2 | Carl Philipp Emanuel Bach, Dinara Klinton | F Minor | 2 | 4A | 122 BPM | ||
Keyboard Suite in D Minor, HWV 437: III. Sarabande (Arr. for Chamber Orchestra) | George Frideric Handel, Raymond Leppard, English Chamber Orchestra | D Minor | 0 | 7A | 170 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning | Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt | B Major | 0 | 1B | 0 BPM |
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