"Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning" by Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt was released on August 6, 1999. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Strauss - Also Sprach Zarathustra". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strauss, R: Also sprach Zarathustra, Op. 30: VI. Of Science and Learning by Richard Strauss, London Philharmonic Orchestra, David Bell, Klaus Tennstedt having a BPM of 0 with a half-time of 0 BPM and a double-time of 0 BPM, we would consider this track to have a Larghissimo tempo marking. Because of this, we believe that the song has an overall slow tempo.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
The Firebird Suite (1919 Version): V. Infernal Dance of King Kashchei | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | A Major | 4 | 11B | 164 BPM | ||
Bellini: Il pirata: Sinfonia | Vincenzo Bellini, David Parry, London Philharmonic Orchestra | D Minor | 2 | 7A | 144 BPM | ||
Elektra: Xiii. Orest! Orest ist tod! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | E♭ Major | 3 | 5B | 81 BPM | ||
Symphony No. 9 in E-Flat Major, Op. 70: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A Major | 0 | 11B | 133 BPM | ||
Elektra: Xx. Orest! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler | A♭ Major | 2 | 4B | 106 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Daphnis et Chloe: Part I: Les jeunes filles attirent Daphnis | Maurice Ravel, Bordeaux Opera Chorus, Bordeaux Aquitaine National Orchestra, Laurent Petitgirard | B♭ Minor | 4 | 3A | 82 BPM | ||
Symphony No. 2: II. Allegro molto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | F Major | 1 | 7B | 146 BPM | ||
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia | Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi | G Minor | 7 | 6A | 100 BPM |
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