Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi's 'Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia' came out on April 1, 2005. With this song being about 5 minutes long, at 4:52, "Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia" by Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 7 in the song's album "Schumann, C.: Piano Concerto in A Minor / Piano Trio in G Minor". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia is currently below average in popularity. Although the overall vibe is very danceable, it does project more negative sounds.
With Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia by Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Sonata No. 1 in F Minor, Op. 1 | Sergei Prokofiev, Matti Raekallio | F Minor | 2 | 4A | 62 BPM | ||
String Quintet in E-Flat Major, Op. 97 'The American': III. Larghetto | Antonín Dvořák, Krzysztof Chorzelski | A♭ Major | 1 | 4B | 82 BPM | ||
Violin Sonata in G Minor: I. Allegro vivo | Claude Debussy, Dong-Suk Kang, Pascal Devoyon | D Minor | 1 | 7A | 101 BPM | ||
24 Preludes, Op. 11: No. 10 in C-Sharp Minor | Alexander Scriabin, Evgeny Zarafiants | G Minor | 3 | 6A | 121 BPM | ||
24 Préludes, Op.28: 15. In D Flat Major | Frédéric Chopin, Martha Argerich | D♭ Major | 0 | 3B | 95 BPM | ||
7 Variations on the Air Vien qua, Dorina bella by Bianchi, Op. 7, J. 53: Variation 1 | Carl Maria von Weber, Michael Endres | C Major | 0 | 8B | 134 BPM | ||
4 Piano Pieces, Op.119: 1. Intermezzo In B Minor | Johannes Brahms, Radu Lupu | B Minor | 0 | 10A | 69 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Karlheinz Zoeller, Berliner Philharmoniker, Herbert von Karajan | A♭ Minor | 0 | 1A | 84 BPM | ||
Images I, L. 110: 2. Hommage à Rameau | Claude Debussy, Seong-Jin Cho | D♭ Major | 0 | 3B | 69 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM |
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