Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim's 'Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo' came out on January 1, 1981. Since Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Itzhak Perlman, Orchestre de Paris, Daniel Barenboim, Camille Saint-Saëns, Édouard Lalo, Hector Berlioz's "Lalo: Symphony espagnole Op.21 / Saint-Saens: Concerto For Violin And Orchestra No. 3 In B Minor, Op. 61 / Berlioz: Reverie et Caprice Op. 8 For Violin And Orchestra" album is number 1 out of 9. Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphonie Espagnole In D Minor, Op.21: 1. Allegro non troppo by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scherzo-Tarantelle, Op. 16 | Henryk Wieniawski, Kyung Wha Chung, Phillip Moll | D Major | 2 | 10B | 107 BPM | ||
Violin Sonata No. 5 in F Major, Op. 24 "Spring": 1. Allegro | Ludwig van Beethoven, Itzhak Perlman, Vladimir Ashkenazy | C Major | 2 | 8B | 152 BPM | ||
Allegro appassionato for Cello and Orchestra, Op. 43 | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | E Minor | 1 | 9A | 67 BPM | ||
Concerto For Violin and Orchestra No. 5 in A minor Op. 37 Allegro con fuoco | Henri Vieuxtemps, Sarah Chang, Philharmonia Orchestra, Charles Dutoit | A Minor | 4 | 8A | 138 BPM | ||
Cello Concerto in D Minor: III. Introduction: Andante - Allegro Vivace | Édouard Lalo, Maria Kliegel, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 0 | 10B | 168 BPM | ||
Tchaikovsky: Piano Trio in A Minor, Op. 50: II. (e) Variation IV | Pyotr Ilyich Tchaikovsky, Itzhak Perlman, Lynn Harrell, Vladimir Ashkenazy | D♭ Minor | 1 | 12A | 82 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Rieding: Violin Concerto No. 2 in B Minor, Op. 35: I. Allegro moderato | Oskar Rieding, Itzhak Perlman, Lawrence Foster, The Juilliard Orchestra | B Minor | 2 | 10A | 120 BPM | ||
Concerto for Violin, Piano and String Quartet in D Major, Op. 21: II. Sicilienne | Ernest Chausson, Jorge Bolet, Juilliard String Quartet | A Minor | 2 | 8A | 89 BPM |
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