Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim made "Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro)" available on January 1, 1981. Since Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Itzhak Perlman, Orchestre de Paris, Daniel Barenboim, Camille Saint-Saëns, Édouard Lalo, Hector Berlioz's "Lalo: Symphony espagnole Op.21 / Saint-Saens: Concerto For Violin And Orchestra No. 3 In B Minor, Op. 61 / Berlioz: Reverie et Caprice Op. 8 For Violin And Orchestra" album is number 5 out of 9. Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) by Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
Bach, J.S.: Violin Partita No. 2 in D Minor, BWV 1004: III. Sarabande | Johann Sebastian Bach, Itzhak Perlman | D Minor | 1 | 7A | 98 BPM | ||
Scènes de ballet, Op. 52: VI. Danse Orientale | Alexander Glazunov, Moscow Philharmonic Orchestra, Alexander Anissimov | A♭ Major | 0 | 4B | 78 BPM | ||
Castelnuovo-Tedesco: Violin Concerto No. 2, Op. 66, "I profeti": I. Isaiah - Grave e medative | Mario Castelnuovo-Tedesco, Itzhak Perlman, Zubin Mehta, Israel Philharmonic Orchestra | A Minor | 2 | 8A | 110 BPM | ||
Children's Corner, L. 113: 6. Golliwog's Cakewalk | Claude Debussy, Seong-Jin Cho | F Minor | 0 | 4A | 69 BPM | ||
Violin Concerto No. 1 In D Major, Op. 19: 2. Scherzo. Vivacissimo | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | A Minor | 2 | 8A | 145 BPM | ||
Black Orpheus: Manha de Carnaval | Luiz Bonfá, Itzhak Perlman, John Williams, Pittsburgh Symphony Orchestra | G Minor | 1 | 6A | 97 BPM | ||
Violin Concerto In D Major, Op.35: 1. Moderato nobile | Erich Wolfgang Korngold, Anne-Sophie Mutter, London Symphony Orchestra, André Previn | E Minor | 2 | 9A | 175 BPM | ||
Prokofiev: Symphony No. 1 in D Major, Op. 25, "Classical": II. Larghetto | Sergei Prokofiev, André Previn, London Symphony Orchestra | A Major | 0 | 11B | 104 BPM | ||
The Bartered Bride: Overture | Bedřich Smetana, BBC Symphony Orchestra, Jiří Bělohlávek | F Major | 2 | 7B | 145 BPM |
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