Claude Debussy, Seong-Jin Cho's 'Children's Corner, L. 113: 6. Golliwog's Cakewalk' came out on November 17, 2017. The duration of Children's Corner, L. 113: 6. Golliwog's Cakewalk is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Children's Corner, L. 113: 6. Golliwog's Cakewalk's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 17 in Debussy by Claude Debussy, Seong-Jin Cho. Children's Corner, L. 113: 6. Golliwog's Cakewalk is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Children's Corner, L. 113: 6. Golliwog's Cakewalk by Claude Debussy, Seong-Jin Cho is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
F Minor is the music key of this track. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Piano Concerto in A Minor, Op.16: III. Allegro moderato molto e marcato | Edvard Grieg, Javier Perianes, BBC Symphony Orchestra, Sakari Oramo | F Major | 2 | 7B | 114 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: II. Romanze | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | C Major | 0 | 8B | 97 BPM | ||
Zwei Lieder, Op. 19: I. Stimme der Sehnsucht | Hans Pfitzner, Matthias Goerne, Seong-Jin Cho | G Major | 3 | 9B | 137 BPM | ||
4 Impromptus Op. 142, D.935: No. 2 in A Flat Major: Allegretto | Franz Schubert, Radu Lupu | A♭ Major | 0 | 4B | 70 BPM | ||
Scherzo No. 3 in C Sharp Minor, Op. 39 | Frédéric Chopin, Seong-Jin Cho | D♭ Major | 1 | 3B | 69 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Lyric Pieces Book V, Op. 54: No. 3 March Of The Trolls | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Vier letzte Lieder, TrV 296: IV. Im Abendrot | Richard Strauss, Matthias Goerne, Seong-Jin Cho | A♭ Major | 0 | 4B | 75 BPM | ||
Symphony No.9 In E Minor, Op.95, B.178 - "From The New World": 3. Scherzo (Molto vivace) | Antonín Dvořák, Berliner Philharmoniker, Rafael Kubelík | E Minor | 1 | 9A | 125 BPM | ||
Etude in C-Sharp Minor, Op. 2/1 | Alexander Scriabin, Khatia Buniatishvili | D♭ Minor | 0 | 12A | 70 BPM |
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