Zwei Lieder, Op. 19: I. Stimme der Sehnsucht - Hans Pfitzner, Matthias Goerne, Seong-Jin Cho Information

Acousticness: 98%
Danceability: 40%
Energy: 30%
Instrumentalness: 18%
Liveness: 10%
Loudness: 73%
Speechiness: 6%
Valence: 25%
Popularity: 6%
Loudness: -16.363 dB

Summary

Hans Pfitzner, Matthias Goerne, Seong-Jin Cho's 'Zwei Lieder, Op. 19: I. Stimme der Sehnsucht' came out on April 16, 2021. The duration of Zwei Lieder, Op. 19: I. Stimme der Sehnsucht is about two minutes long, specifically at 2:30. This song does not appear to have any foul language. Zwei Lieder, Op. 19: I. Stimme der Sehnsucht's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Matthias Goerne, Seong-Jin Cho's "Im Abendrot: Songs by Wagner, Pfitzner, Strauss" album is number 13 out of 18. Based on our statistics, Zwei Lieder, Op. 19: I. Stimme der Sehnsucht's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Zwei Lieder, Op. 19: I. Stimme der Sehnsucht BPM

We consider the tempo marking of Zwei Lieder, Op. 19: I. Stimme der Sehnsucht by Hans Pfitzner, Matthias Goerne, Seong-Jin Cho to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Zwei Lieder, Op. 19: I. Stimme der Sehnsucht Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Berlioz: Symphonie fantastique, Op. 14, H 48: II. Un bal. Valse. Allegro non troppo	Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle	F Major	1	7B	137 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso	Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis	G Major	1	9B	174 BPM
Pelléas et Mélisande, Op.80: 1. Prélude	Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner	G Major	1	9B	134 BPM
Piano Concerto in E, Op. 59: III. Scherzo – Vivace	Moritz Moszkowski, Joseph Moog, Nicholas Milton, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern	E Major	2	12B	81 BPM
Symphony No.2 in E flat, Op.63: 3. Rondo. Presto	Edward Elgar, Staatskapelle Berlin, Daniel Barenboim	G Major	2	9B	138 BPM
Shostakovich: Cello Concerto No. 2 in G Major, Op. 126: II. Allegretto	Dmitri Shostakovich, Gautier Capuçon, Valery Gergiev, Mariinsky Orchestra of Saint Petersburg	G Major	2	9B	113 BPM
Hungarian Dance No.17 In F Sharp Minor	Johannes Brahms, Wiener Philharmoniker, Claudio Abbado	F♯ Minor	1	11A	141 BPM
Symphony No. 3 in F Major, Op. 90: II. Andante	Johannes Brahms, David Zinman	C Major	0	8B	73 BPM
Piano Concerto No. 2 in F Major, Op. 102: III. Allegro	Dmitri Shostakovich, Leonard Bernstein, New York Philharmonic	F Major	6	7B	154 BPM
Symphony No. 1 in D Major, Op. 25: I. Allegro	Sergei Prokofiev, Leonard Bernstein, New York Philharmonic	D Major	1	10B	134 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7529375553131104

End: 0.7574899196624756