Johannes Brahms, Wiener Philharmoniker, Claudio Abbado's 'Hungarian Dance No.17 In F Sharp Minor' came out on January 1, 1984. The duration of Hungarian Dance No.17 In F Sharp Minor is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Hungarian Dance No.17 In F Sharp Minor's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 21 in Brahms: 21 Hungarian Dances by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado. Based on our statistics, Hungarian Dance No.17 In F Sharp Minor's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Hungarian Dance No.17 In F Sharp Minor by Johannes Brahms, Wiener Philharmoniker, Claudio Abbado is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Trio in A Major, Posth.: III. Lento | Johannes Brahms, Paolo Ghidoni, Marco Perini, Ruggero Ruocco | A Major | 2 | 11B | 109 BPM | ||
Perlen der Liebe, Walzer, Op. 39 | Josef Strauss, Franz Welser-Möst, Wiener Philharmoniker | D Major | 1 | 10B | 134 BPM | ||
Octet In E Flat, Op.20, MWV R20: 2. Andante | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | A♭ Major | 0 | 4B | 80 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Eine Alpensinfonie: IX. Ausklang | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 72 BPM | ||
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace | Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser | F Major | 1 | 7B | 91 BPM | ||
Piano Sonata in E Minor, Op. 7: IV. Finale: Molto allegro | Edvard Grieg, Einar Steen-Nøkleberg | D♭ Minor | 0 | 12A | 105 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
Adagio for Strings, Op. 11 | Samuel Barber, Gustavo Dudamel, Wiener Philharmoniker | B♭ Minor | 1 | 3A | 91 BPM | ||
Mazurka No. 23 in D Major, Op. 33, No. 2 | Frédéric Chopin, Idil Biret | A Major | 1 | 11B | 96 BPM |
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