"Octet In E Flat, Op.20, MWV R20: 2. Andante" by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith was released on January 1, 1979. Since Octet In E Flat, Op.20, MWV R20: 2. Andante is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Felix Mendelssohn, Academy of St. Martin in the Fields's "Mendelssohn: Octet; String Quintet No. 2" album is number 2 out of 8. Octet In E Flat, Op.20, MWV R20: 2. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Octet In E Flat, Op.20, MWV R20: 2. Andante by Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 1 In D, Op. 19: 1. Andantino | Sergei Prokofiev, Gil Shaham, London Symphony Orchestra, André Previn | G Major | 1 | 9B | 64 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": II. Vivace non troppo | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 123 BPM | ||
Vivaldi: Concerto for Two Trumpets in C Major, RV 537: III. Allegro | Antonio Vivaldi, Sir Neville Marriner, Bernard Soustrot, Maurice André, Academy of St. Martin in the Fields | C Major | 2 | 8B | 125 BPM | ||
Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) | Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa | A Major | 4 | 11B | 89 BPM | ||
Cello Sonata No. 1 in C Minor, Op. 32: II. Andante tranquillo sostenuto | Camille Saint-Saëns, Maria Kliegel, François-Joël Thiollier | A♭ Minor | 1 | 1A | 173 BPM | ||
Symphony No. 83 in G Minor, Hob.I:83, "La poule" (The Hen): I. Allegro spiritoso | Franz Joseph Haydn, Capella Istropolitana, Barry Wordsworth | B♭ Major | 1 | 6B | 156 BPM | ||
Serenata notturna in D, K.239: 1. Marcia (Maestoso) | Wolfgang Amadeus Mozart, Iona Brown, Malcolm Latchem, Stephen Shingles, Raymund Koster, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 122 BPM | ||
Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D: 4. (Grave) | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 91 BPM | ||
Klarinettenkonzert Nr.3 B-dur: I. Allegro moderato | Carl Stamitz, Sabine Meyer, Iona Brown, Academy of St. Martin in the Fields | B♭ Major | 1 | 6B | 138 BPM | ||
Piano Trio No. 2 in E Minor, Op. 67: III. Largo | Dmitri Shostakovich, Emanuel Ax, Isaac Stern, Yo-Yo Ma | C Major | 0 | 8B | 81 BPM |
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