"Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando)" by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa was released on January 1, 1988. With Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) being less than two minutes long, at 1:43, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa's "Liszt: Piano Concertos Nos.1 & 2; Totentanz" album is number 7 out of 8. Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Piano Concerto No. 2 in A Major, S. 125: 4. Allegro animato - Stretto (molto accelerando) by Franz Liszt, Krystian Zimerman, Boston Symphony Orchestra, Seiji Ozawa to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ballade No. 3 In A-Flat Major, Op. 47 | Frédéric Chopin, Krystian Zimerman | A♭ Major | 1 | 4B | 88 BPM | ||
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo | Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | A Minor | 2 | 8A | 113 BPM | ||
Violin Concerto No. 2 in D minor Op. 22 (1985 Digital Remaster): I. Allegro moderato | Henryk Wieniawski, Itzhak Perlman, Seiji Ozawa, Boston Symphony Orchestra | B♭ Major | 1 | 6B | 94 BPM | ||
12 Etudes d'execution transcendante, S139/R2b: No. 12 in B Minor, "Chasse neige" | Franz Liszt, Jenő Jandó | B♭ Major | 2 | 6B | 67 BPM | ||
Piano Quintet No.1: 4. Con passione | Grażyna Bacewicz, Krystian Zimerman, Kaja Danczowska, Agata Szymczewska, Ryszard Groblewski, Rafal Kwiatkowski | G Major | 2 | 9B | 115 BPM | ||
String Quartet No. 2 in D Major: II. Scherzo: Allegro | Alexander Borodin, Budapest Haydn Quartet | F Major | 1 | 7B | 107 BPM | ||
Piano Quintet In A Major, Op. 114, D 667 - "The Trout": 1. Allegro vivace | Franz Schubert, Anne-Sophie Mutter, Daniil Trifonov, Hwayoon Lee, Maximilian Hornung, Roman Patkoló | E Major | 1 | 12B | 81 BPM | ||
Prelude in C Major, Op. 2: II. Prelude in B Major, Op. 3, No. 1 | Julian Scriabin, Evgeny Zarafiants | B Major | 0 | 1B | 117 BPM | ||
Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto) | Frédéric Chopin, Krystian Zimerman, Polish Festival Orchestra | E Major | 0 | 12B | 65 BPM | ||
A Faust Symphony, S.108: Final Chorus "Alles Vergängliche ist nur ein Gleichnis" - Live | Franz Liszt, Vinson Cole, Chor der Staatsoper Dresden, Staatskapelle Dresden, Giuseppe Sinopoli | F Major | 1 | 7B | 86 BPM |
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