"12 Etudes d'execution transcendante, S139/R2b: No. 12 in B Minor, "Chasse neige"" by Franz Liszt, Jenő Jandó was released on June 16, 1997. With this song being about 5 minutes long, at 5:16, "12 Etudes d'execution transcendante, S139/R2b: No. 12 in B Minor, "Chasse neige"" by Franz Liszt, Jenő Jandó is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Franz Liszt's "Liszt: 12 Etudes D'Execution Transcendante, S139/R2B" album is number 12 out of 12. On top of that, Hong Kong appears to be the country where this track was created. 12 Etudes d'execution transcendante, S139/R2b: No. 12 in B Minor, "Chasse neige" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 12 Etudes d'execution transcendante, S139/R2b: No. 12 in B Minor, "Chasse neige" by Franz Liszt, Jenő Jandó to be Adagio (slowly with great expression) because the track has a tempo of 67 BPM, a half-time of 34BPM, and a double-time of 134 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 1. Meditation | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | B♭ Major | 1 | 6B | 114 BPM | ||
Sonatina No. 1, Op. 67: III. Allegro moderato | Jean Sibelius, Leif Ove Andsnes | F♯ Major | 1 | 2B | 94 BPM | ||
4 Lyric Pieces, Op. 74: No. 1 Ekloge (Eclogue) | Jean Sibelius, Håvard Gimse | A Minor | 1 | 8A | 127 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
Swan Lake, Op. 20, TH. 12: Dance of the Four Swans (Arr. Wild for Piano) | Pyotr Ilyich Tchaikovsky, Yuja Wang | B Minor | 1 | 10A | 113 BPM | ||
Violin Concerto in D Major, Op. 35, TH. 59: II. Canzonetta (Andante) | Pyotr Ilyich Tchaikovsky, Hilary Hahn, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | D Minor | 2 | 7A | 148 BPM | ||
Orientale No. 9, Op. 50 from Kaleidoscope | César Cui, Midori, Robert McDonald | G Minor | 1 | 6A | 106 BPM | ||
Serenade in C Major, Op. 48: IV. Finale (Tema Russo) | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 3 | 9B | 146 BPM |
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