Carl Stamitz, Sabine Meyer, Iona Brown, Academy of St. Martin in the Fields made "Klarinettenkonzert Nr.3 B-dur: I. Allegro moderato" available on 1993. Since Klarinettenkonzert Nr.3 B-dur: I. Allegro moderato is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Sabine Meyer, Iona Brown, Academy of St. Martin in the Fields's "Johann & Carl Stamitz: Klarinettenkonzerte Vol. 1" album is number 1 out of 12. On top of that, Germany appears to be the country where this track was created. Based on our statistics, Klarinettenkonzert Nr.3 B-dur: I. Allegro moderato's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Klarinettenkonzert Nr.3 B-dur: I. Allegro moderato by Carl Stamitz, Sabine Meyer, Iona Brown, Academy of St. Martin in the Fields to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No.4 in E, TWV51: E3: 1. Affettuoso | Georg Philipp Telemann, Iona Brown, Denis Vigay, Alan Cuckston, Academy of St. Martin in the Fields | A Major | 4 | 11B | 111 BPM | ||
Rákóczy March | Arthur Fiedler | A Major | 3 | 11B | 106 BPM | ||
Morceau de Concert, Op.94 for Horn and Orchestra: 2. Allegro non troppo | Camille Saint-Saëns, Hermann Baumann, Gewandhausorchester Leipzig, Kurt Masur | F Major | 1 | 7B | 122 BPM | ||
Mandolin Concerto in G Major, S. 28: I. Allegro moderato | Johann Nepomuk Hummel, Howard Shelley, London Mozart Players, Alison Stephens | G Major | 1 | 9B | 119 BPM | ||
Förster: Horn Concerto in E-Flat Major: I. Con discrezione | Christoph Förster, Barry Tuckwell, Sir Neville Marriner, Academy of St. Martin in the Fields | E♭ Major | 1 | 5B | 80 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Clarinet Concerto in B Flat Major: 1. Allegro moderato | Johann Stamitz, Andreas Ottensamer, Kammerakademie Potsdam | B♭ Major | 1 | 6B | 70 BPM | ||
Symphony No. 8 in C Minor: III. Presto assai | William Herschel, Matthias Bamert, London Mozart Players | F Minor | 1 | 4A | 151 BPM | ||
Concerto in D major for Double-bass and Orchestra: 1. Allegro Moderato | Johann Baptist Vanhal, Odon Racz, Franz Liszt Chamber Orchestra | D Major | 1 | 10B | 105 BPM | ||
Trumpet Concerto in E Flat, H.VIIe/1: 3. Allegro | Joseph Haydn, Håkan Hardenberger, Academy of St. Martin in the Fields, Sir Neville Marriner | A♭ Major | 0 | 4B | 169 BPM |
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