Georg Philipp Telemann, Iona Brown, Denis Vigay, Alan Cuckston, Academy of St. Martin in the Fields made "Violin Concerto No.4 in E, TWV51: E3: 1. Affettuoso" available on August 1, 1984. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Telemann: Five Violin Concertos". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Netherlands. In terms of popularity, Violin Concerto No.4 in E, TWV51: E3: 1. Affettuoso is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Violin Concerto No.4 in E, TWV51: E3: 1. Affettuoso by Georg Philipp Telemann, Iona Brown, Denis Vigay, Alan Cuckston, Academy of St. Martin in the Fields having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto For Lute, 2 Violins And Continuo In D, RV 93: 3. Allegro | Antonio Vivaldi, Celin Romero, Academy of St. Martin in the Fields, Iona Brown | D Major | 3 | 10B | 119 BPM | ||
Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens | E Minor | 0 | 9A | 128 BPM | ||
Oboe Concerto No. 1 in B-Flat Major, HWV 301: II. Allegro | George Frideric Handel, Maurice André, Hedwig Bilgram, Münchener Bach-Orchester, Karl Richter | F Major | 1 | 7B | 142 BPM | ||
Concerto In B Flat Major For 3 Oboes, 3 Violins And Basso Continuo, TWV 44:43: 3. Allegro | Georg Philipp Telemann, Peter Westermann, Michael Niesemann, Piet Dhont, Musica Antiqua Köln, Reinhard Goebel | A Major | 2 | 11B | 144 BPM | ||
Telemann: Nouveaux quatuors "Paris Quartets", No. 6 in E Minor, TWV 43:e4: VI. Modéré | Georg Philipp Telemann, Frans Brüggen, Jaap Schröder, Anner Bylsma, Gustav Leonhardt | E Minor | 1 | 9A | 78 BPM | ||
Concerto Grosso in G Major, Op. 6, No. 1, HWV 319: II. Allegro | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | D Major | 2 | 10B | 125 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave | Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien | D Major | 0 | 10B | 127 BPM | ||
Concerto for 2 Flutes & Bassoon in G Major, TWV 53:G1: I. Vivace | Georg Philipp Telemann, Barthold Kuijken, Leela Breithaupt, Stephanie Corwin, Indianapolis Baroque Orchestra | E♭ Minor | 2 | 2A | 128 BPM | ||
Handel: Oboe Concerto in B-Flat Major, HWV 301: IV. Vivace | George Frideric Handel, Evelyn Rothwell, Valda Aveling, Hallé, Sir John Barbirolli | B♭ Major | 1 | 6B | 132 BPM |
Section: 0.699730396270752
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