Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens's 'Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: II. Largo ma non tanto' came out on May 8, 2020. Since Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: II. Largo ma non tanto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 25 in Bach: Essentiel by Johann Sebastian Bach. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: II. Largo ma non tanto's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Double Concerto for 2 Violins, Strings, and Continuo in D Minor, BWV 1043: II. Largo ma non tanto by Johann Sebastian Bach, David Oistrakh, Igor Oistrakh, George Malcolm, Royal Philharmonic Orchestra, Eugene Goossens is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 2 | 3B | 114 BPM | ||
Bach, JS: Violin Concerto No. 2 in E Major, BWV 1042: I. Allegro | Johann Sebastian Bach, Anne-Sophie Mutter, Leslie Pearson, Salvatore Accardo, English Chamber Orchestra | A Minor | 3 | 8A | 118 BPM | ||
Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro | Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp | C Minor | 2 | 5A | 97 BPM | ||
Concerto Per Oboe, Archi E Continuo In Re Minore: II. Adagio | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | ||
Klavierkonzert Für Klavier Und Orchester Nr. 27 In B-Dur, KV 595: 2. Satz | Alfred Brendel, Vienna Volksoper Orchestra | E♭ Major | 0 | 5B | 66 BPM | ||
Symphony No. 2 in A Major, Op. 2, "Birthday Ode": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 187 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act 2: Dance of the Blessed Spirits | Christoph Willibald Gluck, Stuttgart Chamber Orchestra, Karl Münchinger | F Major | 1 | 7B | 67 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
Concerto For 2 Harpsichords, Strings, And Continuo In C Minor, BWV 1060 - Arr. For Violin, Oboe, Strings & Continuo: 1. Allegro | Johann Sebastian Bach, Hilary Hahn, Allan Vogel, Los Angeles Chamber Orchestra, Jeffrey Kahane | C Minor | 4 | 5A | 102 BPM | ||
Klid (Silent woods) for Cello and Orchestra, Op. 68, No. 5 | Boston Symphony Orchestra, Yo-Yo Ma, Seiji Ozawa | D♭ Major | 0 | 3B | 92 BPM |
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