Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp made "Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro" available on November 16, 2010. With this song being about 5 minutes long, at 4:44, "Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro" by Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 13 in Bach: Oboe Concertos by Johann Sebastian Bach, Alexei Ogrintchouk, Swedish Chamber Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. In terms of popularity, Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Concerto for Violin & Oboe in C Minor, BWV 1060R: I. Allegro by Johann Sebastian Bach, Alexei Ogrintchouk, Alina Ibragimova, Swedish Chamber Orchestra, Reinut Tepp is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto No. 2 in C-Sharp Minor, Op. 129: III. Adagio – Allegro | Dmitri Shostakovich, Alina Ibragimova, State Academic Symphony Orchestra "Evgeny Svetlanov", Vladimir Jurowski | A Minor | 2 | 8A | 160 BPM | ||
Oboe Concerto in C Major, RV 450: II. Larghetto | Antonio Vivaldi, Albrecht Mayer, Luca Pianca, Andrea Zucco, I Musici | F Major | 1 | 7B | 87 BPM | ||
Concerto a 5 In D Minor, Op.9, No.2 For Oboe, Strings And Continuo: 2. Adagio | Tomaso Albinoni, David Reichenberg, The English Concert, Trevor Pinnock | A Major | 1 | 11B | 68 BPM | ||
The Art of Fugue, BWV 1080 - Edition prepared by Sir Neville Marriner & Andrew Davis: Contrapunctus 9 a 4 alla Duodecima | Johann Sebastian Bach, Carmel Kaine, Malcolm Latchem, Stephen Shingles, Neil Black, Tess Miller, Celia Nicklin, Cecil James, Kenneth Heath, John Gray, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 3 | 7A | 94 BPM | ||
5 Mélodies for Violin and Piano, Op. 35a: IV. Allegretto leggero e scherzando | Sergei Prokofiev, Alina Ibragimova, Steven Osborne | C Major | 0 | 8B | 132 BPM | ||
Fantasy in C Major, D. 934: I. Andante molto – | Franz Schubert, Alina Ibragimova, Cédric Tiberghien | F Major | 1 | 7B | 83 BPM | ||
Violin Sonata in F Major, MWV Q26: I. Allegro vivace | Felix Mendelssohn, Alina Ibragimova, Cédric Tiberghien | F Major | 2 | 7B | 84 BPM | ||
Double Concerto for 2 Violins, Strings & Continuo in D Minor, BWV 1043: II. Largo ma non tanto | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | F Major | 2 | 7B | 88 BPM | ||
24 Caprices for Solo Violin, Op. 1, MS 25: No. 2 in B Minor. Moderato | Niccolò Paganini, Alina Ibragimova | A♭ Major | 0 | 4B | 93 BPM | ||
Oboe Quartet in F Major, K. 370: III. Rondeau | Wolfgang Amadeus Mozart, Alexei Ogrintchouk, Boris Brovtsyn, Maxim Rysanov, Kristine Blaumane | F Major | 1 | 7B | 85 BPM |
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