Jean-Philippe Rameau, Teodor Currentzis's 'Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne' came out on October 17, 2014. Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne is about six minutes long, preciously at 5:45, making this song fairly long compared to other songs. There are a total of 18 in the song's album "Rameau - The Sound of Light". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Chaconne by Jean-Philippe Rameau, Teodor Currentzis having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": III. Tempo di minuetto | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 152 BPM | ||
Les Indes galantes: Air des Sauvages | Jean-Philippe Rameau, La Chapelle Royale, Philippe Herreweghe | F♯ Minor | 2 | 11A | 85 BPM | ||
Dardanus / Act 2: "Par l'effort de votre art terrible" | Jean-Philippe Rameau, Véronique Gens, John Mark Ainsley, Les Musiciens du Louvre, Marc Minkowski | G Minor | 1 | 6A | 86 BPM | ||
Les Indes galantes, RCT 44, Nouvelle entrée, Les sauvages, Scène VI: Rondeau - Duo et choeur "Forêts paisibles" | Jean-Philippe Rameau, Teodor Currentzis | F♯ Minor | 3 | 11A | 98 BPM | ||
Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | D Minor | 4 | 7A | 113 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Brandenburg Concerto No. 1 in F Major, BWV 1046: I. [Tempo giusto] | Johann Sebastian Bach, Academy of Ancient Music, Richard Egarr | E♭ Major | 3 | 5B | 85 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | ||
Concerto for two violins BWV 1043 in D Minor: Concerto for two violins BWV 1043 in D Minor: II. Largo ma non tanto | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz, Petra Mullejans | E Major | 1 | 12B | 84 BPM |
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