"Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave" by Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien was released on January 1, 1966. With this song being about 5 minutes long, at 4:34, "Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave" by Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Telemann: Concertos". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. Based on our statistics, Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Telemann: Concerto for Recorder and Bassoon in F Major, TWV 52:F1: III. Grave by Georg Philipp Telemann, Nikolaus Harnoncourt, Frans Brüggen, Otto Fleischmann, Concentus Musicus Wien having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in D minor, Op.1 no.2: 3rd movement: Adagio | Francesco Geminiani, Bell'Arte Antiqua | B Minor | 1 | 10A | 113 BPM | ||
Der Messias, TWV 6:4: No. 9, Mirjam, sein Auge verlischt | Georg Philipp Telemann, Gabriele Künzler, Susanne Borchert-Rohwedder, Salzburg Soloists, Philharmonisches Staatsorchester Hamburg, Wolfgang Zilcher | D Major | 1 | 10B | 173 BPM | ||
Cello Concerto in F Major, RV 412: II. Larghetto | Antonio Vivaldi, Raphael Wallfisch, City of London Sinfonia, Nicholas Kraemer | C Major | 2 | 8B | 181 BPM | ||
Organ Concertos, Op. 4, Organ Concerto No. 1 in G Minor, HWV 289: IV. Andante | George Frideric Handel, Richard Egarr, Academy of Ancient Music | F♯ Major | 0 | 2B | 170 BPM | ||
Trio Sonata in D minor, Op.1 no.2: 1st movement: Grave | Francesco Geminiani, Bell'Arte Antiqua | D♭ Minor | 1 | 12A | 87 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 3: Ballo: I. Grazioso | Christoph Willibald Gluck, Stefan Plewniak, Il Giardino d'Amore | D♭ Major | 3 | 3B | 129 BPM | ||
Trumpet Concerto in D Major, G. 28: V. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | D♭ Major | 2 | 3B | 114 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Jephtha, HWV 70, Act III: "Waft Her, Angels, Through The Skies" | George Frideric Handel, Kirsten Barry, Australian Brandenburg Orchestra, Paul Dyer | F♯ Major | 1 | 2B | 79 BPM | ||
Concerto No. 5 in B-Flat Major, SF 944 "La Cetra": III. Presto ma non molto | Alessandro Marcello, Gruppo Instrumentale di Roma, Giorgio Sasso | A Major | 4 | 11B | 115 BPM |
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